Friday, 6 December 2013

Minature Paintings of India

 Resting Eagle - Miniature Painting
 
Exotic Bird - Miniature Paintings 

 Mashak Pipe Player - Miniature Painting

                                                              Miniature Painting 'Green Bird'



People found a means of expression through miniature paintings as early as their cave dwelling days. They started out as etches on the walls, but slowly people started using natural dyes to colour their paintings. With the influx of new people and culture in any territory, painting and architecture always imbibed something new.  Paintings were used to capture and frame life as it were for preserving it for historic purposes. Perspective and the concept of depth came much later with the advent of individualism in Europe. In India the paintings have a sense of continuity, from early days till the modern day. Read More

Friday, 15 November 2013

Collection of Indian Beauty Batik paintings

                                                    The Swing of Teej - Batik Painting

 

Sacrarium - Inspirational Painting



 Flagship of Dharma



 

Prince Siddhartha - Batik Painting

 

 

Radha Teases Krishna - Cotton Batik Painting

 

Batik is the art of using wax and dye on cloth to create beautiful and unique designs. The word has its origins in the Javanese word “tik” which means to dot. This historic art form uses the resist method of dyeing. Parts of the cloth are waxed and then the rest is dyed, once the final dying has been done the wax is removed to reveal the pattern created. In modern times the artist may use etching, discharge dyeing, stencils and other waxing and dying methods on a variety of materials like cotton, wool, leather, silk, paper, wood or ceramics. This can be quite different from the traditional formal styles. New forms of batik technique, like the batik print and batik cap emerged after industrialization and globalization, these automated techniques were different from the traditional style which came to be known as batik tulis (meaning ‘written batik’).
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Thursday, 7 November 2013

Laxmi and Ganesha for Home Temple


Ganeshji, the most favorite Lord of the Hindus, is piously revered as the deity of top priority to begin with, in worship at every auspicious, sacred and pious occasion. He is treated as Ganapati, Lord of the Lords. He is the elder son of Shiva-Parvati, one of the power holders of Hindu Trinity.The Hindu deity in a human form but with the head of an elephant - represents the power of the Supreme Being that removes obstacles and ensures success in human endeavors. Ganesh Puja is a must for Diwali Puja. Lord Ganesha is to be worshipped in all pujas before any other God or Goddess.

Monday, 22 April 2013

Krishna Pata Painting

Ajay Krishna - All victorious Krishna

The beautiful Pata painting depicts the Lord Krishna dancing over the head of the snakes. The pattern and the application of colours and lines are spectacular. The gracefulness on the face of Lord Krishna is manifest. The story of Krishna, and Kaliya the serpent is very well known. Kaliya, a naga (a serpent), was occupying the river Yamuna and its banks. The great snake had poisoned the waters of the Yamuna and also dried the forests nearby by the poison airs breathed by it. Once when the Krishna’s cowherd friends drank water from the river they fell ill. An enraged Krishna jumped into the water to kill the serpent. But the Lord was coiled around by Kaliya, the serpent king and he lay at the bottom of the river. But His divine powers helped Him uncoil himself from the serpent and wanted to kill it. But on imploration from the wives of Kaliya, he left it alone and asked them all to leave the shores of Yamuna forever. So they left and Yamuna and its shored regained their normal form. This feat is termed as Kaliya-Daman. Derived from the Sanskrit words patta (a piece of cloth), chitra (painting or picture), Patachitra is a folk art form drawn on a piece of silk, cotton or any other fabric, portraying traditional motifs and imageries of religion and society. Here the artist has used water colour and pigment on a patti paper, paper cloth together.



Wednesday, 3 April 2013

"Ancient Rider" Tribal Sculpture


The tribal man is standing on an animal. Simplicity, smoothness, plain design all these make the figure an accomplished achievement on the part of the sculptor. The figure depicts a simple life of the tribal populace in North India, in which this craft is prevalent. Dhokra is an ancient style of crafting brass figures using the traditional lost wax method. It is created through a laborious lost wax process associated with the tribal groups of northern India.


Thursday, 21 March 2013

Lord Varaha Retrieves The Mother Earth - Brass Sculpture



The third incarnation among the Ten Incarnations is Varaha avatara, (Boar incarnation.) At the beginning of the creation of the universe, Brahma, a male named Svayambhuva Manu and a female named Satarupa manifested from his body. By the desire of Brahma, Svayambhuva Manu accepted Satarupa as his wife for the purpose of creation. Seeing the earth submerged in the water of annihilation and desiring to seek a dwelling place for the living beings, Manu approached his father Brahma and prayed to him to rescue the earth. When Brahma saw the earth submerged in the water, he thought for a long time about how it could be rescued. He had earlier established the earth after removing all the water but he could not understand why the earth had sunk into the water again. He had been appointed for the work of creation but the earth had become inundated in a deluge and had sunk down to the Rasatala planetary system.
Even after much effort, Brahma was not able to think of any solution. At last, he took shelter of the Supreme Lord Visnu. While Brahma was still deep in thought, a small boar the size of the tip of a thumb manifested from his nose. But the most surprising thing is that the small boar expanded in front of Brahma and within moments, filled the sky and assumed a form as big as an elephant. Brahma, together with the great brahmanas like Marici, as well as the Four Kumaras and Svayambhuva Manu saw the transcendental Varaha form and began to discuss among them. Lord Brahma thought that this was some denizen of the transcendental world in disguise; traveling in the form of a boar.
In this way, while Brahma was deliberating with his associates, Sri Hari roared tumultuously like the great mountain Giriraja. The omnipotent Sri Hari enlivened Brahma and the other highly elevated brahmanas by again roaring with His uncommon voice. The sound of His roar was so sweet that it destroyed all the miseries of the hearer. Brahma, Svayambhuva Manu, and other sages who reside on Janaloka, Tapaloka and Satyaloka, chanted auspicious mantras from the Vedas as offerings to Varahadeva. Lord Visnu in the form of Varaha accepted the prayers of Brahma and other sages and for the benefit of the demigods, entered into the waters of annihilation. Before entering into the water, Lord Varaha rose into the sky lashing His tail. The Lord raised the hair on His shoulders and scattered the clouds in the sky with His hooves. With raised hairs and white tusks, and with luminous effulgence, the Lord's form was brilliant. This is Sri Hari's unique transcendental pastime. Just the remembrance of it causes shivering in the body. He was omnipotent and omniscient, yet like an animal, He searched for the earth by the sense of smell. His external appearance was fearful; however, He pleased the sages engaged in offering prayers by glancing over them and entered into the water. His dive into the water with his thunderbolt-like body divided the ocean. The ocean prayed to Lord out of fear, "Please protect me, O Supreme Lord!"
The Lord of all sacrifices penetrated the water with His hooves, and in the depths of the Rasatala Ocean, He saw the earth lying there as he carried it in his stomach during the time of devastation. Lord Varaha lifted the earth on His tusks and appeared very splendid. At that time, a very powerful demon named Hiranyaksa challenged Him with a huge mace. An enraged Lord Varaha killed the demon within the water, just as a lion kills an elephant. The body, head and face of the Lord became red with the blood of the demon. The Lord, being thus satisfied with the prayers of the great sages, placed the earth on the water with His hooves.








Tuesday, 19 March 2013

Vayu Putra 'Son of The Wind' Lord Hanuman


Product Weight:  1.700 kg.

Product Size:  9"H x 6"W x 2.75"D

Product Material:  Brass
Bajrangabali or Lord Hanuman is one of the most popular gods of Hinduism.because of his loyalty and commitment to the cause of Lord Rama he has become very popular.People from all wakes of life worships and appreciate his divine nature and super human personality shaped by the strength of celibacy,humility, selflessness, unsurpassed devotion, determination,fearlessness and extraordinary commitment to work for the divine.He is such a true devotee. His temples are found everywhere in India,in the streets of towns and cities, on the hills, in the forests and most difficult places. Millions observe fast on Tuesdays and refrain from drinking and smoking as a mark of respect for him.Goddess Seeta the great consort of Lord Raam impressed by the selfless devotion and services of Hanuman blessed him to remain immortal in his existing form till the end of creation and help the loyal devotees of Raam. When people pray to Hanuman, they generally chant the chalisa for boons and protection. The chalisa is a verse of 40 lines containing pure adulation. It describes the great qualities and adventures of Hanuman. It is said that because of his complete humility he would not stir into action, unless one reminds him of his true greatness and  his divine purpose. His devotees therefore chant the chalisa, to remind him of his greatness and prompt him to wake up from his devotion and help them.He is called Anajaniputra or Anjaneya because his mother's name was Anjana and above all he is revered as Raam Bhakta Hanuman means devotee of Lord Raam.